Marian Babson is an American woman, who has lived and written in England for a good many years, now. Her books are wonderful, witty generally cozy mysteries. Six of them are Trixie and Evangeline books which follow this recipe for a successful series of cozy mysteries:
Take two aging actresses—preferably opposite types,
Add in search for new (or old) play that has a good role for each of them
When these first ingredients have been thoroughly mixed,
Add search for appropriate venue, preferably with a few flights of stairs.
Special added ingredient? Producer with lotsa $$$ or £££!
Then, get out of the way and let the ladies have at it! This pair must have been hell on wheels in their younger years; they’re still up to the most hair-raising activities!
In the golden years of movies (never quite specified, but apparently the 30s and 40s) Trixie Dolan was a song-and-dance type actress, while Evangeline Sinclair was the more dramatic, femme-fatale type.
Years later—incredibly!—they’re still friends with a shared family of sorts, and not yet ready to pack it in. They are still stage-struck, with a large contingent of fans, friends from those maybe not-so-good-old-days, and quite possibly some non-friends, as well.
Trixie had married, once, briefly, but Evangeline preferred to play the field. In her case, the field included Trixie’s husband, and the resulting daughter was then raised by Trixie. Martha is actually an adult before she learns the truth, which seems to settle her down some. It’s hard to imagine one child with two stage mothers, but that’s Martha’s lot in life. At least, in the course of these books, she finds a man, Hugh, who adores her, and since he has two children, they are now a complete family. He also had a wife, but . . . read book two for the whole story.

The first book is Reel Murder, in which Trixie at 68 and Evangeline at 76, journey to London for a two-week retrospective of Evangeline’s films. They’re housed in a remodeled mansion with a troupe of aspiring young actors. Drawing on their vast experience in films, the two ladies instruct their fellow tenants about how to dispose of the inevitable corpse, while dealing with the enchanted (and enchanting) young police sergeant Julian Singer. He wants to write a play or maybe a book about Evangeline’s life, and they find him very useful.
Encore Murder features a gang of actors and tech folks from an early TV series who could use the residuals from a reissue of their series, but they’re balked by one of their own. Of course, she suddenly ends up murdered. Also, of course, it’s Hugh’s ex-wife, so Martha promptly becomes a suspect, as does Trixie. It seems the dead woman is also behind the new film of Evangeline’s – Queen Leah! As they’re still living in the converted mansion spread over three floors, with all the young theatricals upstairs, at times this book greatly resembles a bedroom farce. Doors opening and closing, who’s behind which door and with whom? Rooms are always occupied, so a space in which to have a private chat is at a premium. It’s pure delight!
Although I liked all six books a lot, #3, Shadows in Their Blood was the weakest, in my opinion. It has lots of fun bits but isn’t overly suspenseful, although, as usual, I didn’t guess whodunit! I’m not up on vampires very much, so I think a lot of that aspect went right over my head. It’s still fun, though, especially with all the pastiches of old movies scattered throughout.
The two ladies are on location at an old haunted castle for a remake of the Dracula story. Rumors (are they, or aren’t they – vampires!) are as prevalent as raindrops, and they wonder if they’ll ever be warm again. Some of the characters from previous stories are here, too. Eventually it all gets sorted out.
Even Yuppies Die, as our ladies discover when they’re moved to warehouse flat, while their former abode is being renovated – again! Trixie and Evangline are in a large penthouse with odd acoustics, and even odder other tenants. One of them has most likely committed murder, but which one?
This tale, from 1996, also features an engaging supporting cast, along with Evangeline’s favorite policeman Superintendant Heyhoe. The spoonerish variations on the two syllables of his last name that Evangeline comes up with are incredible! Few of the characters from the previous books are found here: Martha, her new hubby and the two kids are on their honeymoon, but due back soon. The bigger mystery here is why do all the yuppies keep bringing furniture and other essentials to the penthouse? And leaving them there?
Break a Leg, Darlings followed in 1997. All I can say is: This pair must have been hell on wheels in their younger years; as they’re still up to the most hair-raising activities! They’ve not yet found a theater in which to hold their presumed production. There’s really only one satisfactory play going for a pair of older ladies and that’s ‘Arsenic and Old Lace’. (Hint to new (or old) playwrights! How about some more of these, for the rest of us!) The newest thing in London appears to be the ‘pub theater’ concept: pub on the ground floor, theater up. But oh! Those stairs. Hard on aging knees, don’t you know!
You’ll love Dorsal Finn (the Irish poet and playwright) and his wolfhound The Semtex who follows Trixie home after they visit Finn’s pub. He does come in handy at times, if for no other reason than his size.
The Cat Who Wasn’t a Dog is apparently–and unhappily–the last of the series. Boo-hoo! Another aging actress has usurped their play and found a theater, besides! Of course, it’s in Brighton, but that’s only a couple of hours from London. Dame Cecile Savoy (of the same vintage as Trixie and Evangeline) is beside herself, as her favorite doggie pet has died. However, there’s a taxidermist shop in Brighton that will enable the poor creature to remain a member of the family.
Before they can get there, however, a fire breaks out, and from there on, it’s madcap mayhem! Martha is back, still dithery, but now in the process of editing a celebrity type cookbook. Thank goodness for Superintendant Heyhoe, who finally makes sense out of their muddle, and takes the killer off to jail.
All of the books contain many references to slightly-disguised old movies and movie stars, plus lines of famous dialogue, in this madcap comedy-adventure-mystery series. They don’t wear out and will keep you laughing for days. Unfortunately, they’re mostly out of print, but are readily available in libraries.
Marian Babson has also written many books in which cats are featured most prominently! Even though I’m not exactly a cat person, I think my favorite of these is Nine Lives to Murder. What’s yours?
Until next time . . .
If you have comments or questions, please write to me at: kellyATtheserniorreader.com Please be advised that if you send me spam, it will immediately be forwarded to the government’s spam-catcher!
Bloody Bonsai introduces us to Jim Dandy (James P., to be formal) a fairly-recent widower who finds himself at loose ends. His kids talk him into attending an Elderhostel™ Course on Bonsai, little realizing what they’ve started! He finds an attractive, unattached artist who owns her own gallery, and in addition to her artistic skills has a huge curiosity bump. Dodee Swisher leads, Jim follows and finally, they manage to identify the murderer without getting either of them killed in the process.

One of my first heros was the writer/race driver/skier Denise McCluggage. Oh! How I wanted to be her, but unfortunately, that was not within the realm of possibility. I did my best to imitate her, (except for the skiing) but ran out of money. It was certainly fun while it lasted, though.
delighted to find a fairly new book by Todd McCarthy titled: Fast Women: The Legendary Ladies of Racing. It’s mostly about the 50s and earlier, with lots of fascinating history, including a good bit about Denise McCluggage. Unfortunately, the book does not have an index, but it does have a fabulous bibliography of books, films/TV, videos, newsletters, magazine articles, and web-sites, etc. Not all of that latter are up-to-date, but they’re still better than nothing. I’m grateful for such a list.
Put On A Happy Face: A Broadway Memoir – Charles Strouse by Charles Strouse


